“... a beautifully secure voice and plenty of power when needed.”

Enrico Telleni, Opera

“... a gorgeous, rich tone also providing the fluidity required in this role. Pirozzi is a true Verdi soprano with the richness of tone to challenge the difficult role, whose heights of a dramatic soprano’s range she naturally reached.”

Lorenzo Fiorito, Bachtrack

“Pirozzi demonstrated a gift for narrative – creating, even in the absence of a costume and staging, a portrait of this passionate and tormented woman. Her phrasing was excellent; she had flexibility, wonderful high notes, and good legato. She sang with both power and the control required to achieve delicate effects.”

Arlene Judith Klotzko, ConcertoNet

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Since her triumphant debut at the 2013 Salzburg Festival as Abigaille in Nabucco under the baton of Riccardo Muti, Anna Pirozzi has been considered one of the leading sopranos of the Italian dramatic repertory.

 

In 2016 she made her house debuts at the Teatro alla Scala (Lucrezia Contarini in I due Foscari), the Bavarian State Opera Munich (Amelia in Un ballo in maschera), the Royal Opera House Covent Garden (Leonora in Il trovatore) and the San Francisco Opera (Maddalena in Andrea Chénier).

 

Highlights in 2017 include her debuts at the Teatro Real Madrid as Lady Macbeth in Macbeth alongside Plácido Domingo, her role debut as Turandot with the Israel Philharmonic Orchestra conducted by Zubin Mehta and Abigaille at the Teatro alla Scala.

 



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Andrea Chénier, San Francisco 2016




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